Education, Art, and Diversity in Lebanon

RMOver the course of my week in Beirut I had the good fortune of spending time with teacher and performance artist Raghda Mouawad.  Through her I learned a great many things about the country and its people, including details about the education system and the harsh reality for artists during an economic crisis in a country that offers little support.  We also get back into that now familiar topic, the contradictions of Beirut when it comes to identities, ethnicity and beyond.

The following podcast was recorded in a car late at night in Beirut on the eve of my departure last month.  Special thanks to both Raghda and our silent passenger in the back seat, Krystel Khoury, for taking the time to explain and show me their city.  Friends like these in far away places make doing what I do, not only possible, but a pleasure.

This Jersey Shore

BoatIn the final and perhaps odd chapter of the middle east- north Africa journey, I ventured home to the state of my birth, to see my family, friends, and continue editing audio from the trip.  Naturally, being back in that part of the world only a few months since the massive storm turned many lives upside down, I went with my family to visit the Jersey shore and see what is happening in many of the communities there.

To begin with I have to mention what a strange juxtaposition it is, like so many tragedies in this world: while some live through terrible ordeals and struggle to satisfy basic needs, others in the exact state are living normal lives and of course- as it was the holiday season – exchanging gifts and enjoy themselves.  There is nothing new or alien about this idea, it is the way of the world, so why not- even in New Jersey  where many people still have no home and no idea how they will afford to rebuild their homes as a result of the storm.  It is the type of situation where I can even be a tourist who drives in from a part of the state where things are fine and in 30 minutes I can be standing between piles of rubble and vanished coast line.

But there they were- one after the other- as we drove along Ocean Av, the typical street name in most NJ shore towns- massive construction vehicles moving and creating piles of sand.  Pushing the soggy beige powder out towards the sea while also building tall hills that will serve as a line defense.  There is little to no sign of the old lines of defense. All there is is half-shells of former houses, a few miraculously untouched properties, empty space, and piles of wood where long stretches of previous boardwalk once stood.  The gigantic machines look like ants in comparison to the vastness and nearness of the ocean. Their work looks flimsy, like at any time it could be wiped away by one massive wave or another round of flooding.  But still they work, as do many homeowners and carpenters, stabilizing houses that are leaning one way or another, houses that might be missing their ground floor, or the kinds that are missing sections of their roofs.

Asbury ParkMany along the route look eager to rebuild.  Like the construction vehicles pushing sand, they’re counting on being ready for the all-important summer months, when the weather is beautiful, life feels relaxing and the tourist dollars flow.  Future hurricanes? Unlikely, their actions seem to say.  Several residents assure me that such storms only come around every few decades so its certainly worth rebuilding and getting back to life as usual .

Along the route we come upon my most favorite Jersey Shore town, Asbury Park – a city long plagued by economic depression, corruption, and a past marked by social conflicts.  Even when their was no storm the place that brought us Bruce Springsteen and the Jersey Shore sound looked like it was barely getting by.  But now even the weathered yet proud old structures that survived that re-development wrecking ball, looked critically wounded.  A series of fences and police guided detours lead the public away from the destroyed boardwalk, the centerpiece of the city that is supposed to be on its way back.

It may be a small story in the grand scheme of this world and all its acute problems.  Or maybe because it happened in the US, in a state where some people live very comfortably, it does not seem like it could possibly be that bad.  But even if people around the world are recognizing the scale of the tragedy that has struck this special place, what remains unclear to me is whether or not people in New Jersey see the big picture of what is to come. Driving through proud shore towns that have their traditions and ways of doing things, it was hard to tell if they will do anything different in an effort to deal with future challenges that may even be worse than this one.

Kamal Hakim: Beirut, A City and Life of Contradictions

Circus, by Kamal HakimKamal Hakim grew up in an era of reconstruction after the civil war in Lebanon. As the son of a Greek Orthodox – Sunni Muslim marriage, he recalls eating sour-kraut cooked by his protestant grandmother. His life was marked by all the struggles of a city of contradictions, contradictions which he recognizes in himself as well. As an illustrator, Kamal has a dream, a dream he must reconcile with the financial demands of life during an economic crisis in a country that lives every day not knowing if there will be a tomorrow.

This podcast was recorded on one of the exciting days I spent in Beirut last month, as Kamal and I met for the first time in the 1 and only city park. We quickly moved from the details of his personal life and professional training, to the big picture questions of life, art, the shadow of war, and the things that happen in between in such a fragile country. Meanwhile all around us children chase pigeons, old people occupy park benches, and men yell greetings at each other. All in a days work while getting to know Beirut with the help of a wise new friend.

Check out more of  Kamal Hakim’s work on his blog Kamatopia. And remember his name, so you can say you knew him way back when…

Sounds of the Sultan Hassan Mosque

During our time in Cairo, in between the steady stream of interviews and journeys to different neighborhoods, there were also the moments when we managed to do a little tourism and visit magnificent sights of the ancient city. On one such afternoon, under the guidance of our excellent friend and Egyptologist Shereif Nasr, we visited the Sultan Hassan Mosque, a beautiful Mamluk era structure completed in 1359.

Personal Revolutions in North Africa

This week I find myself in the Northeast of the United States, home for the holidays and also to process all the audio, video, and photos from the Middle East – North Africa journey. Being back in the US means being subjected to the local and national media context, which makes American stories seem larger than life, and Egypt feel like another planet. At holiday gatherings and reunions with old friends I am often asked things like “So is it all falling apart in Egypt or what?”  Sometimes its put in nicer terms, but the tone is most often one of skepticism and as if their minds have already been made up about what is happening in that part of the world.

Images from Mohamed Mahmoud St.
Images from Mohamed Mahmoud St., Tahrir Sq.

In the American press I see the other standard reaction towards the events taking place in Egypt, including conclusions about what took place in the weeks that I was in Tahrir Square – the revolution has been hijacked, a new dictatorship has emerged, the opposition is falling apart. When I read and hear such analysis, by both intelligent and less well-informed individuals, I again feel like I left Egypt and landed on another planet.  In this world everything has to fit into categories and boxes. There are either winners or losers. Things are either successes or failures. So whatever those countries are going through, they must fit into one of these easy to understand categories.

What I wish most is that I could, even beyond my work here on the website and on radio open source, show them examples of the changes that have taken root on the personal level in Egypt and Tunisia. (and beyond I suspect) It never makes it into headlines or fancy mainstream news analysis, that metro workers went on strike last month, an action that would be unthinkable under the dictatorship.  Women, long plagued by street harassment and oppression at home, are now organizing themselves to adopt tactics to neutralize such harassment and get out of abusive situations.  Lower class people, long barred from ever working in higher skill and prestige jobs, are starting to demand equal opportunity and an end to prejudice based on what your father’s profession is.  The list is actually much longer than this, but in my many conversations over the course of three weeks in Cairo, it was impossible to avoid stories of individuals carrying out personal rebellions against an old and oppressive tradition.

Is the process complete and successful? Are the oppressed finally getting the justice they deserved? No. Sadly, these changes are slow to reach everyone and there is no guarantee that they will take hold for everyone everywhere.  Is there resentment and push-back from those who don’t want to see these changes come to fruition? Yes. Many people fear what is to come and would prefer to keep things the way they were.   But beyond all of this, no matter what happens in the future or what is happening now, something has changed in Egypt and that something is the individual mindset. And as so many people reminded us, over and over, once you reach this change and start thinking like a free person, there is no going back.

The Freedom of Baladi Dance with Alexandre Paulikevitch

Photo by Patrick Baz AFP
Photo by Patrick Baz AFP

It was one of those beautiful nights in Beirut were I found myself sitting at a table with new friends sharing stories, teaching each other about the world, and finding humor in unexpected places.  And even after a long day of teaching and rehearsing, Alexandre Paulikevitch is a natural at all these things.  As we sat around the table of the outdoor cafe he talked about projects he’s working on and the challenges that keep coming his way, and after several minutes of conversation he looked at me and my portable recorder and said “OK Mark, I understand what you’re doing and what kind of conversations you are seeking.” A clear and reassuring statement I wish I would tell myself every now and then.

This would end up being one of my favorite conversations of the entire journey, as the young but already legendary Baladi Dancer and human rights activist patiently moved from the beginnings of his interest in dancing and gender expression to his eventual realization of both who he is and what his performance art is all about.  Even beyond the stage, we discuss the issues he is active with in both Lebanon and in other parts of the Middle East.

Listen and enjoy to what I believe is an important conversation and an education when it comes to challenging conventional wisdom and self expression throughout the world.

You can watch a performance by Alexandre from earlier this year on youtube.