Kamal Hakim grew up in an era of reconstruction after the civil war in Lebanon. As the son of a Greek Orthodox – Sunni Muslim marriage, he recalls eating sour-kraut cooked by his protestant grandmother. His life was marked by all the struggles of a city of contradictions, contradictions which he recognizes in himself as well. As an illustrator, Kamal has a dream, a dream he must reconcile with the financial demands of life during an economic crisis in a country that lives every day not knowing if there will be a tomorrow.
This podcast was recorded on one of the exciting days I spent in Beirut last month, as Kamal and I met for the first time in the 1 and only city park. We quickly moved from the details of his personal life and professional training, to the big picture questions of life, art, the shadow of war, and the things that happen in between in such a fragile country. Meanwhile all around us children chase pigeons, old people occupy park benches, and men yell greetings at each other. All in a days work while getting to know Beirut with the help of a wise new friend.
Check out more of Kamal Hakim’s work on his blog Kamatopia. And remember his name, so you can say you knew him way back when…
It was one of those beautiful nights in Beirut were I found myself sitting at a table with new friends sharing stories, teaching each other about the world, and finding humor in unexpected places. And even after a long day of teaching and rehearsing, Alexandre Paulikevitch is a natural at all these things. As we sat around the table of the outdoor cafe he talked about projects he’s working on and the challenges that keep coming his way, and after several minutes of conversation he looked at me and my portable recorder and said “OK Mark, I understand what you’re doing and what kind of conversations you are seeking.” A clear and reassuring statement I wish I would tell myself every now and then.
This would end up being one of my favorite conversations of the entire journey, as the young but already legendary Baladi Dancer and human rights activist patiently moved from the beginnings of his interest in dancing and gender expression to his eventual realization of both who he is and what his performance art is all about. Even beyond the stage, we discuss the issues he is active with in both Lebanon and in other parts of the Middle East.
Listen and enjoy to what I believe is an important conversation and an education when it comes to challenging conventional wisdom and self expression throughout the world.
In the early days of the 2011 revolt some young Egyptians found themselves at the beginning of their military service. While in Tahrir square and on the streets the winds of change blew away a dictator, in the barracks soldiers knew little of what was going on outside and what their fate might be as soldiers. Would they be deployed to the streets to confront ordinary citizens? Do they still answer to the same president or is there someone new? The questions were many and the information was scarce.
In the lead up to and during those days in the military, Ahmed El Gendy wrote notes to himself and when the rare chance presented itself, on facebook. He wrote as he thought about his own life, his experience as a soldier, and how it relates to what is happening outside. And when he finally got out, his writings eventually became part of a theater piece, set along side letters from a political prisoner incarcerated during that same time period.
Beyond the theater and since his military service, Ahmed has also become part of a small but growing group of young Egyptians involved in contemporary dance. Something that a few years prior was virtually non existent.
Today we sit down with Ahmed El Gendy in a little garden high above Zamalek, Cairo, to talk about military service during the revolution, creating a theater piece based on that experience, and the evolution of his young career in contemporary dance.
The issue of domestic abuse is a huge yet unspoken problem in Egypt. Despite all the stories of the great social liberation that is taking place on the street when it comes to self-expression and liberty, at home women are still beaten by their husbands. Between the social acceptance and the legal indifference of this terrible tradition, it would seem to be an extremely difficult reality to overcome.
Jenny Montasir is an Egyptian-American who came to Egypt to learn more about her family and her heritage, in the process she also began working on raising awareness and documenting things happening in Egyptian today, including domestic abuse.
Youth has long been the buzz word connecting to the uprisings in North Africa and in the Middle East in the spring of 2011. A demographic shift, we’ve been told, combined with economic and social conditions, resulted in a new resistence culture with new strategies and goals for their respective countries. Tunisia was one such country, where the median age is 30, and multi-lingual, interconnected youth played an essential role in spearheading the pressure that would lead Ben Ali to flee the country. Now they are also an important part of safeguarding and assessing the changes that are taking place. On today’s podcast, we sit in a part in Tunis, together with 3 young people working in the field of non-profit watch dog organizations. In our 40+ minute conversation you will hear from Amir Kamergi, Khaoula Mhatli, and Yosra Mkadem, regarding the work they are doing and their individual and collective experiences and opinions regarding what is up with Tunisia today, how far we’ve come, and what to make of the future.
“It’s like shock therapy. Something happened that we never expected… it’s getting better each day, people are growing up… and that’s the great thing about our revolution… we know what we want.” – Yosra Mkadem
“There is an information war going on in Tunisia,” Adel explains to me one beautiful afternoon in a suburb of Tunis, “people are constantly consuming and waiting for that next message.” In an unexpected podcast conversation my new friend began right away talking about the good news and the bad news when it comes to changes in Tunisia over the past 2 years. He also talks about the importance, now especially, to be an activist-cyclist in this nation in transition. He guided us safely during our critical mass ride and in this conversation he guides us through how he lived the revolt of 2011.
Kamal Hakim grew up in an era of reconstruction after the civil war in Lebanon. As the son of a Greek Orthodox – Sunni Muslim marriage, he recalls eating sour-kraut cooked by his protestant grandmother. His life was marked by all the struggles of a city of contradictions, contradictions which he recognizes in himself as well. As an illustrator, Kamal has a dream, a dream he must reconcile with the financial demands of life during an economic crisis in a country that lives every day not knowing if there will be a tomorrow.
